21.5” x 21.5” Framed size | Mixed Media | Coated with Resin
Viewed from an aerial vantage point, this work explores the raw geometry created when land and sea intersect. What feels chaotic up close reveals an unexpected order when seen from above.
Swirling currents, fractured edges, and mineral tones flow together in a balance of force and restraint. Gold emerges subtly, not as ornament, but as a trace of energy moving through the landscape.
This piece invites the mind to step back — to release urgency and observe without judgment. In that distance, clarity replaces noise, and the system begins to settle on its own.
21.5” x 21.5” Framed size | Mixed Media | Coated with Resin
Seen from above, this piece captures the moment where solid earth meets restless water. From this perspective, scale dissolves and movement becomes pattern—an unfolding conversation between rock, current, and time.
Layers of black, white, mineral gold, and oceanic blues move and collide across the surface, echoing the natural tension between stability and change. Nothing is fixed, yet everything belongs.
This painting invites quiet observation rather than interpretation. The longer you sit with it, the more the turbulence softens into rhythm — offering a sense of grounded calm through perspective rather than stillness.
48" x 32" Each Panel | Mixed Media | Coated with Resin
This triptych captures a black sand shoreline from above, where water, volcanic earth, and foam form intricate, ever-shifting patterns. Seen from this distance, the landscape becomes abstract—movement translated into form.
Deep blacks meet vibrant ocean blues, while white surf carves temporary boundaries that dissolve and reappear. Each panel holds its own rhythm, yet together they form a continuous flow shaped by tides and time.
The aerial perspective invites a pause from emotional proximity. It offers perspective, scale, and quiet awe—reminding us that nature regulates itself through movement, not control.
Sold as a triptych, in a black frame.
